Hugh Dancy

Episode 3 – Potage We open with Garrett Jacob Hobbs and Abigail Hobbs observing a deer. They’re hunting together. She misses the first time, but succeeds the second. Yet she’s distressed over killing it. She’s internally conflicted about killing, while her father is happy. She tells her father about how amazing deers are supposed to be, with regret. Her father one-ups her on each statement; they’re still beautiful and smart, even in death. He has the plan to “honor her” and use all of her parts, but have his daughter do the cutting with a knife. She’s distressed. He’s desensitizing

Episode 2 – Amuse-Bouche We open on bullet shells hitting the ground. Will at the firing range. He’s haunted by Garrett Jacob Hobbs. Even in his dreams. He awakens to entering a crime scene with Jack, the attic of Hobbs, filled with mounted antlers. Jack maintains that his daughter, Abigail, could be an accomplice in the prior murders. “Hobbs killed alone.” As usual, Will is very certain. But someone else was there in that attic. Someone with red hair. We meet FREDDIE LOUNDS, an online tabloid reporter. Will stands in his classroom teaching his students. And yet he is still

Episode 1 – Apertif We begin with a murder scene. A man and a woman killed. We meet WILL GRAHAM, an FBI teacher and profiler. He’s assessing the scene, and through a metronome device we watch time rewind to before the murder. Will has the ability to imagine himself in the killer’s place, conducting the murder himself, and understand the murder through this process. We watch him kill the couple, and learn about the killer in the process. The story cuts to him lecturing a class on the murder. He’s approached by JACK CRAWFORD, the head of the Behavioral Science unit (think